The Ancient Celts
               Barry Cunliffe
               ISBN 0-19-969051-0 Oxford University Press
               Drawing heavily from archaeological and written evidence this 
                  book paints a picture of what went into forming what we now 
                  see as Celtic Culture. Barry Cunliffe is the Professor of Archaeology 
                  at Oxford University and the author of a number of books, including 
                  The World of the Celts.Visions of the Celts
                  This Chapter deals with how the Celts have been viewed through 
                  the eyes of other cultures, from the Graeco-Roman, through the 
                  'Celtomania' of the 18th and 19th Centuries, to the modern viewpoints.
                The Reality of the Celts
                  After addressing the views coloured by cultural bias, Cunliffe 
                  begins to use a great deal of archaeological evidence to back 
                  up some of the classical claims to provide a clearer image of 
                  the reality.
                Barbarian Empire and the Mediterranean 1300-400 BC
                  Outlines the factors such as trade with, and the influence of, 
                  richer southern cultures that began to define aspects of Celtic 
                  Culture. 
                The Migrations 400-200 BC
                  Shows the movement that many European peoples underwent during 
                  this period of apparent greater mobility, and how this brought 
                  them into conflict with the Mediterranean peoples. Also shows 
                  how Celtic mercenaries fought in Ptolomic Egypt, and Hannibals 
                  Carthaginians as part of this mass movement.
                Warfare and Society
                  Shows how important warfare and the role of the fighting 
                  elite was in Celtic Society and its Culture.
                The Arts of the Migration Period
                  With a large collection of colour and B/W photographs this 
                  section demonstrates the artistic techniques that spread out 
                  and helped to define the areas of celtic influence.
                Iberia and the Celtiberians
                  This is an interesting section, as the Celtiberians are 
                  often ignored by modern researchers. Although the Celtiberians 
                  had marked differences in such things as art fro the 'standard' 
                  La Tene Celtic work, the language and many aspects of society 
                  and its structure are purely Celtic. 
                The Communities of the Atlantic Facade
                  This Chapter deals with the main group of peoples who are, 
                  for the most part, still seen as Celtic. Cunliffe cites classical 
                  references coupled with archaeological evidence
                The Communities of the Eastern Fringes
                  On the other side of Europe, Celtic peoples expanded during 
                  the Migration Period to form a Celtic Fringe that stretched 
                  from Russia to the Mediterranean.
                Religious Systems
                  Details some of the beliefs of the Celts and the role played 
                  by Druids within their society.
                The Developed Celtic World
                  Paints a picture of the greatest period of Celtic influence 
                  drawing heavily from classical references, backed up by archaeological 
                  research.
                The Celts in Retreat
                  Shows the reverse of Celtic influence after its 'Golden 
                  Age', and how the Celts eventually became a culture on the fringe 
                  of western Europe following the expansion of the Roman Empire.
                Celtic Survival
                  This Chapter deals with the survival of Celtic Cultures 
                  at the end of the Roman period and the beginning of the early 
                  Middle Ages.
                Retrospect
              
                  Cunliffe draws the work to a conclusion with a brief summary 
                  thatreiterates the main points.
Reviewed by J. Craig Melia - 2000 
              
            
            
              
